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'Bamboo Study III', 2022, Ruth Ju-Shih Li; photo: Lawrence Zeng.
'Bamboo Study III', 2022, Ruth Ju-Shih Li; photo: Lawrence Zeng.
Mon, 24 Jul - Fri, 15 Dec 2023

Florilegium: Distant Memories

Florilegium: Distant Memories is an autobiographical, multi-component, immersive exhibition featuring an on-site installation by Sydney-based Taiwanese Australian artist Ruth Ju-shih Li 李如
Matthew Galway
Thu, 5 Oct 2023

Cultural Revolution in Cambodia: Communist Spies, Overseas Chinese, and Radical Urban Culture during Phnom Penh’s Global Sixties

“In front of our eyes was a dark and deathly-still ghost town, with nary a pedestrian or automobile in sight.
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Untold Herstory
Photo courtesy of Activator Marketing Co
Tue, 31 Oct 2023

Film Screening | Untold Herstory 流麻溝十五號

Untold Herstory 流麻溝十五號
Directed by Zero Chou 周美玲
1h42m | 2022 | PG
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Latest News
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IMMERSIA 2022

Ready. Steady. Immerse: Immersia 2.0
What do you get when you put calligraphy, dance, song, music, painting, wellbeing, books, exhibitions, photography, languages, trivia, gaming, and art together?
Cosette Craig (extreme right), accepting her award of first prize (Photo Supplied)
Cosette Craig (extreme right), accepting her award of first prize (Photo Supplied)

Bridging Borders: Modern Chinese Student Cosette Craig Wins First Prize at the 2023 Chinese Bridge Chinese Proficiency Competition for Australian University Students
Most people who meet ANU CHL Modern Chinese 7 student Cosette Craig wouldn’t guess that she grew up in a small village in central-west NSW and only started learning Chinese when she was 19.
Crawford Oration

JG Crawford Oration 2022
The Hon Dr Kevin Rudd AC's address analyses the worldview of Chinese leader Xi Jinping and how his deeply ideological worldview is shaping his country's policies at home and abroad.
Rana Mitter

Internationalism, identity, and ideology in the shaping of postwar China
A Kite Flies Against the Wind: Internationalism, identity, and ideology in the shaping of postwar China, and the legacy for today

Featured Video

In the second year of the COVID-19 pandemic, the many facets of crisis—the theme of last year’s China Story Yearbook—fractured into pictures of contradiction throughout Chinese society and the Chinese sphere of influence.

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