-- Journeys of self and society at the end of martial law --
As Taiwanese society was coming to terms with a new political reality in the 1970s and 1980s, many artists and intellectuals addressed issues of locality, history and cultural identity. Despite the pressure on civil society, Taiwan’s visual culture flourished, with photography playing a key role as a visual medium that intersected many creative practices and platforms. Pioneering photographers produced groundbreaking works across these decades, from experimental art to photojournalism and much in between.
The exhibition adopts the concept of ‘wayfaring’ from the phrase ‘找路’, used by the seminal figure Chang Chao-Tang 張照堂 to discuss his work in these decades. Here, the term lyrically evokes both the actual journeys that artists undertook, searching for the real-life experiences and sentiments of their subjects, as well as their personal, introspective searches for a way forward, a new path, through creative experimentation with the photographic medium.
Drawn from the collection of the National Taiwan Museum of Fine Arts, with some additional works loaned directly from the artists, this broad selection of photographs reflects the diversity and shifting experiences of Taiwanese society and culture at this pivotal time. Wayfaring features 35 still images by 12 artists, including Chang Chao-Tang 張照堂, Chien Yun-Ping 簡永彬, Chuang Ling 莊靈, Ho Ching-Tai 何經泰, Hou Tsung-Hui 侯聰慧, Hsieh Chun-Te 謝春德, Hsieh San-Tai 謝三泰, Juan I-Jong 阮義忠, Kao Chung-Li 高重黎, Lien Hui-Ling 連慧玲, Wang Hsin 王信, Yeh Ching-Fang 葉清芳.
Wayfaring builds on the 2015 exhibition Between – Picturing 1950-1960s Taiwan 間：臺灣五六十年代面影 , featuring over 40 photographs, prints and paintings curated from the collection of the National Museum of History, Taipei.
隨著臺灣社會在1970年代和1980年代逐漸適應新的政治現實，許多藝術家和學人重新審視關於臺彎在地性，歷史和文化認同等問題。《找路：1970-80年代的臺灣攝影》展覽從國立台灣美術館和藝術家私人典藏中精選出三十五件攝影及影像作品（從新聞攝影到實驗藝術），反映這兩個世代閒臺灣日常生活和文化經驗的轉變。臺灣先驅攝影家張照堂先生曾以「找路」兩字回顧自己的藝術生涯，《找路》展覽主題靈感即來源於此。「找路」意味著攝影家為捕捉人生冷暖與情感變遷而踏遍山河的旅程，以及通過攝影媒介上的創意和實驗，孜孜追尋新的前行之路。《找路》展為CIW 於2015年和國立歷史博物館合作的《間——臺灣五六十年代面影》展覽之續篇，再次以視覺藝術作品來探討和彰顯台彎現代社會和文化的變遷。
Shuxia Chen is an art historian and curator of Asian art. Her research focuses on modern and contemporary Chinese photography and artistic collaboration. Shuxia's research has been published in books, peer-reviewed journals, exhibition catalogues and art magazines. Shuxia is working on two book projects: A Home for Photography Learning: the Friday Salon, 1977-1980 (Shanghai, 2021), and Chinese Toggles: Culture in Miniature (Sydney, 2023). She is currently a curator at the University of Sydney Chau Chak Wing Museum, as well as a sessional lecturer at UNSW Art and Design and the National Art School.
Olivier Krischer is a historian of Asian art and visual culture interested in the creative navigation of social, political and environmental transformation. He is a Visiting Fellow at the Australian National University and an Honorary Associate at the University of Sydney, where he convenes the Sydney Asian Art Series. From 2018-2020, he was Deputy and Acting Director of the University of Sydney China Studies Centre, and in 2017 was a Visiting Fellow in the Institute for Modern History, Academia Sinica, Taiwan.
