Anti-May Fourth Films of Republican China
Nora should not step out and find her own way. She should stay at home, dress modestly, and be a good wife. Chinese silent films of the 1920s and early 1930s often convey ideological messages strikingly at odds with May Fourth ideals such as equality of the sexes and liberation of the individual.
Double Witness | Drawing Workshop with the Artist
Artist Meng-Yu Yan 颜梦 will be hosting a drawing workshop as part of the Double Witness exhibition public program.
This workshop will be facilitated by the artist, Meng-Yu Yan 颜梦钰, Emma Beer (WHS/SOAD) and Ari Heinrich (CIW/CHL) at the ANU School of Art and Design.
Double Witness | Floor Talk with the Artist
Join artist Meng-Yu Yan 颜梦钰 on a guided tour exploring the Double Witness exhibition.
See more information about the Double Witness exhibition here.
Double Witness | 'Love and Death in Montmartre' Film Screening
As part of the public program of the Double Witness exhibition, join us for a film screening of Love and Death in Montmartre (蒙馬特之愛與死, Evans Chan, 2019, 110 mins) with an introduction from curator Ari Heinrich.
